1. On page 105 Yancey writes "writing portfolios promise to change significantly what goes on in writing classrooms-- because of the messages they send, the authority they assign, the ways they motivate students, and the insights they challenge students to perceive and articulate."
How do portfolios accomplish all of this? If we choose not to do portfolio grading, what other methods, if any, might achieve the same effect?
2. How does the Reiff piece achieve the goal of "conversation starter" (163) that it deems to be the goal of this specific genre of writing?
Welcome! This blog acts as a space for you to critically reflect on the readings and better absorb the material, and it puts you in conversation with your peers about their understanding of the material. Directions: 1: Create a new post where you will raise two questions about the readings that you would like your peers to engage with. 2: Reply to one peer's post as a comment and attempt to answer one of their posted questions. Blog posts are due by 8pm the night before class.
Subscribe to:
Post Comments (Atom)
Yon's questions for July26
Q 1. According to Reiff, the genre can be interpreted in the context of a power dynamic. Used to a genre convention, however, readers often...
-
Fulkerson mentions Ede and Lunsford's distinction between "real audiences," or audiences of actual human beings, and "fic...
-
1. From the Wysocki piece- Have you ever had to analyze the visual aspects of a written page the way Wysocki does by examining different fo...
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.