1. Bitzer's presentation of the rhetorical discourse as being born out of a "rhetorical situation" that demands the utterance of discourse made me think once again about Pope Urban II's Clermont speech (which I briefly mentioned in passing during class discussion) in which he utilizes the strength of his position and plays on the religious fervor and growing fear of Islam to unite Christendom into carrying out the first crusade. Bitzer uses speeches from Lincoln and Churchill as examples, but are there any other major examples of rhetorical discourse that immediately come to mind for you (either historical or fictional)? If so, can you identify the rhetorical situation that demanded such a discourse to occur?
2. In Royster's "scene three" she discusses a "positive" response to one of her presentations in which a friend of hers lauded her "authentic voice" because she wasn't speaking in an "appropriated academic language." She goes on to make the case that all of her voices are authentic and that she prefers to construct "social realities" that "affirm differences, variety." I'm wary of any attempt for an individual to claim a unique or "authentic" voice that is somehow divorced from rhetorical context, and mostly agree with Royster that all of our voices are authentic. Although it seems to be the case that this reception to her presentation was intended to be a positive one (as we certainly should promote freedom of expression and identity especially for underrepresented cultural demographics) is there a sense in which strictly delineating which voices are "authentic" to a people group and which are "appropriated" in the name of protecting against cultural trespassers might give way to a dangerous reinforcement of tribalism, effectively shutting down any sort of cross cultural interaction or mutually agreed upon sharing?
Welcome! This blog acts as a space for you to critically reflect on the readings and better absorb the material, and it puts you in conversation with your peers about their understanding of the material. Directions: 1: Create a new post where you will raise two questions about the readings that you would like your peers to engage with. 2: Reply to one peer's post as a comment and attempt to answer one of their posted questions. Blog posts are due by 8pm the night before class.
Subscribe to:
Post Comments (Atom)
Yon's questions for July26
Q 1. According to Reiff, the genre can be interpreted in the context of a power dynamic. Used to a genre convention, however, readers often...
-
1) In Bartholomae’s essay, he presents the argument that criticism is an essential element of a composition curriculum and the revision proc...
-
1. On page 161, Reiff says that "Students' critical awareness of how genres work—their understanding of how rhetorical features ar...
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.