Specifically directed to those who have taught: What are your reactions to the metaphors Tobin outlines for the student-teacher relationship? Which ones have you identified with the most, and do you have any of your own additions as you categorize yourself as an instructor?
When we situate Yancey's article alongside Selfe's, does your view of the "writing public" change at all? For example, who is this public? What are they writing? Has participation in this online, writing public become more accessible? Or is it still only accessible to more privileged groups, whether that be along class, geography, or race? And when we think about the classroom, how does Yancey's interpretation of this new writing public fit in with the requirements of Selfe's politically-oriented literacy classroom?
Welcome! This blog acts as a space for you to critically reflect on the readings and better absorb the material, and it puts you in conversation with your peers about their understanding of the material. Directions: 1: Create a new post where you will raise two questions about the readings that you would like your peers to engage with. 2: Reply to one peer's post as a comment and attempt to answer one of their posted questions. Blog posts are due by 8pm the night before class.
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Yon's questions for July26
Q 1. According to Reiff, the genre can be interpreted in the context of a power dynamic. Used to a genre convention, however, readers often...
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1) In Bartholomae’s essay, he presents the argument that criticism is an essential element of a composition curriculum and the revision proc...
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1. On page 161, Reiff says that "Students' critical awareness of how genres work—their understanding of how rhetorical features ar...
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