In the Reiff piece, creativity and the strength and interest of the student was a common theme at least to me. In your classroom, will you allow a student to be more creative throughout the semester rather than perhaps on the last project? I'm thinking how we were able to design our literacy narrative any way we wanted.
When talking about portfolio assessments, Yancey states that a possibility would be a group of teachers rating together. Somehow this doesn't seem right to me. As a teacher you've watched a student grow in the classroom, how would other teachers know the effort was put into every assignment and project if they weren't there for the entire semester? I will admit it is different if it's just one paper, but an entire semester's worth is something else entirely.
Welcome! This blog acts as a space for you to critically reflect on the readings and better absorb the material, and it puts you in conversation with your peers about their understanding of the material. Directions: 1: Create a new post where you will raise two questions about the readings that you would like your peers to engage with. 2: Reply to one peer's post as a comment and attempt to answer one of their posted questions. Blog posts are due by 8pm the night before class.
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Yon's questions for July26
Q 1. According to Reiff, the genre can be interpreted in the context of a power dynamic. Used to a genre convention, however, readers often...
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1) In Bartholomae’s essay, he presents the argument that criticism is an essential element of a composition curriculum and the revision proc...
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1. On page 161, Reiff says that "Students' critical awareness of how genres work—their understanding of how rhetorical features ar...
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