Wednesday, July 25, 2018

Sidney 7/26


1.     How would you go about introducing students to the way that the multi-media nature of texts complicates and influences audience experience? Would you utilize some of Wysocki’s suggested activities, or maybe briefly discuss how aesthetic decisions impact understanding of texts?

2.     If you decide to use portfolio grading how do you plan on evaluating the formative “development of the writer”? Will you allow multiple submissions of assignments, or grade based off an evaluation of the growth in their writing throughout the progression of the course (or perhaps an alternative approach)? And why?

2 comments:

  1. 1. I am super into adaptation studies. So one way I would go about introducing students to the way the multi-media nature of texts complicates and influences audience experience is by exposing them to multiple adaptations and how they vary from medium to medium. For example, show them a passage from a novel and then show them that same scene portrayed in film. How does the change in medium influence the audience? What can one medium do that the other cannot? Do these changes alter the message to the audience at all? Etc. You could do this with a lot of different things, not just novel to film adaptation. There are ballets adapting plays, video games inspired by text/tv shows/movies, etc.

    ReplyDelete
  2. 2. I think this is the big question when we talk about grading/evaluating students based on their development. Once again, it really comes down to what we value as be the "right direction" for compositional development and unfortunately I'm not sure if there is a way to escape that. But on a practical level, I'm going to give my students HELLA opportunities for revision, possibly even up until the end of the class. If they want the grade for improving then I'll tell them to go for it.

    ReplyDelete

Note: Only a member of this blog may post a comment.

Yon's questions for July26

Q 1. According to Reiff, the genre can be interpreted in the context of a power dynamic. Used to a genre convention, however, readers often...